Focusrite ISA Two

รหัสสินค้า : ISA Two

Focusrite ISA Two | Classic Dual Mono Transformer-Based Microphone Preamplifier

You may only need a couple of mic preamps – but they should be the best

The ISA Story goes back to 1985, when Sir George Martin commissioned legendary designer Rupert Neve to design new modules for the console at AIR Montserrat. They were so successful that more were commissioned for AIR London. These original modules form the basis of today’s Focusrite ISA range – delivering the legendary Focusrite sound to leading studios, artists, producers and engineers around the world. Literally hundreds of hits have been made with the Focusrite ISA Range – and continue to be made today.

Two legendary mic pres

Focusrite’s ISA Two brings together a totally independent pair of legendary ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve – the Lundahl LL1538. Two is a nice round number – ideal for recording, say, a vocal and an instrument, or a stereo piano. But though you may only need two mic pres, you owe it to your craft to choose the best. (And if you need more, we offer ISA 428 Mk II 4-channel and ISA 828 8-channel units too.)

Variable input impedance

We’ve made one little adjustment to the mic pre. The original ISA 110 had a single input impedance that was ideal for the mics of the time. We’ve added three more, allowing you to get the very best out of any microphone, vintage or modern. Give a vintage mic the input it expects to get a traditional, warm sound. Pair the ISA Two with modern microphones and get the most transparent sound imaginable. Or experiment and pull out the inner character of any microphone you care to try. Couple that with up to 80dB of gain and you can be ready for anything.

Features

Lundahl LL1538 mic input transformer

Up to 80 dB of gain

Variable input impedance

User-calibrated metering

Front panel instrument and rear panel line inputs

Variable cut-off high-pass filter

Rear panel balanced inserts

Specifications

Front panel, per channel

1/4" instrument input

Variable input impedance - Low, ISA 110, Medium, High

Input selection - Mic, Line, Instrument

0 - 30 dB/30 - 60 dB gain switch

Phantom power switch

Phase invert switch

0 - 60 dB gain in 10 dB steps

0 - +20 dB continuously variable trim

Variable high-pass filter with on/off switch

Insert point on/off switch

Eight-LED user-calibrated level meters

Single power switch

Rear panel, per channel

XLR-F mic inputs

1/4" TRS line inputs

1/4" TRS Sends

1/4" TRS Returns

XLR-M line output

Single peak meter calibration dial

Single IEC power socket

Maximum Input and Output Levels

Maximum Output Level : +24 dBu with a THD+N < 0.01% at 1kHz measured with 150 Ω source impedance and 22Hz/22kHz band-pass filter

Maximum Microphone Transformer Input Level : +7 dBu with a THD+N < 0.7% at 1kHz measured at 0 dB of gain with 150 Ω source impedance and 22Hz/22kHz band-pass filter

Mic Input Response

Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance : Switched Impedance setting Equivalent Input Impedance at 1 kHz

Low = 600 Ω

ISA 110 = 1.4 kΩ

Med = 2.4 kΩ

High = 6.8 kΩ

EIN (Equivalent Input Noise) : Measured at 60 dB of gain with 150 Ω source impedance and 22 Hz-22 kHz band pass filter

-127 dB

Noise : Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter

-97 dBu

Signal-to-Noise Ratio : Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter

< 0.0007% at 1 kHz

Frequency Response : At minimum gain (0 dB)

-0.5 dB at 10 Hz,

-1 dB at 135 kHz, relative to 1 kHz

At +60 dB gain : -6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz

CMRR (Common Mode Rejection Ratio) :

-94 dB for mic input at 60 Hz for max. output = +24 dBu

-91 dB for mic input at 10 kHz for max. output = +24 dBu

Crosstalk Channel to Channel : Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB

Line Input Response

Gain range : -20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance : 10 kΩ from 10 Hz to 200 kHz

Noise : Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -97 dBu

Signal-to-Noise Ratio : Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter

121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise : Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter

< 0.0002% at 1 kHz

Frequency Response : At minimum gain (0 dB)

-0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz

Crosstalk Channel to Channel : Line input, with I/P = 0 dBu, gain = 0dB @ 1 kHz input to channel A

Channel B output

= -91 dB

Instrument Input Response

Gain range : +10 dB to +40 dB continuously variable trim

Input Impedance : 2 MΩ

Noise : Measured with 22 Hz-22 kHz band pass filter

Minimum gain (+10 dB) = -95 dBu

Frequency Response :

At minimum gain (+10 dB) -0.1 dB at 10 Hz,

-1 dB at 115 kHz, relative to 1 kHz

At maximum gain (+40 dB) -2.5 dB at 10 Hz, 

-1 dB at 110 kHz, relative to 1 kHz

High-Pass Filter

Roll-Off : 18 dB per octave (3 pole filter)

Frequency Range : Continuously variable from 16 Hz to 420 Hz (-3 dB)

Weight and Dimensions

W x D x H : 480 mm x 280 mm x 44 mm

Weight : 3.7 kg